William Cody “Buffalo Bill” Signed 2.5×4.25 1908 Season Pass Auto 9! PSA Slabbed Sale Coupon
Press Pass Collectibles offers only authentic in-person autographs as well as a 100% money back lifetime Certificate of Authenticity with every single autograph we sell. We offer autographed memorabilia only from the top, reputable, leading suppliers of authentic sports memorabilia. The companies that authenticate these items include Beckett Authentication Services (BAS), Professional Sports Authenticator (PSA/DNA), James Spence Authentication (JSA), Steiner Sports, Upper Deck, Mounted Memories, and Tri-Star Productions. All autographed items come with a Certificate Of Authenticity (COA) from these suppliers that include a hologram on the item. You'll notice that we may stock the same item by more than one vendor. It is your choice on which vendor you want your product authenticity by. All are reputable in the memorabilia business and guarantee items 100%.
Steal This Deal from Press Pass Collectibles! William Cody “Buffalo Bill” Signed 2.5×4.25 1908 Season Pass Auto 9! PSA Slabbed
This Autographed 2.5×4.25 Buffalo Bill’s Wild West and Congress of Rough Riders of the World 1908 Season Pass Ticket Auto Graded Mint 9! has been Personally Signed by William Cody “Buffalo Bill”. This item is 100% Authenticit comes slabbed and authenticated by PSA/DNA. The authenticity can be verified on Professional Sports Authenticator website. This pass was issued to Charles Schreyvogel(and filled out in Cody’s hand )(1861-1912)an American artist specializing in Western subjects. Cody had first met Schreyvogel in 1894when he gave the artist unprecedented access to the show grounds for sketching and other artistic studies. In 1908Cody commissioned Schreyvogel to produce a monumental oil painting entitled “Rescue at Summit Springs” which glorified Cody’s role in the July 111869 clash between U.S. Cavalry and CheyenneArapahoand Sioux warriors at Summit Springs in northeastern Colorado. Cody had at best only a tangential role in the battle–orchestrated to rescue two white female captives–but in Schreyvogel’s paintingCody is heroically depicted at the center of action.
